Now Iâve lost two posts in a row. So I give up.
Thu, October 21 2004 Âť Meta/Logistics
"A fast-paced, suspenseful dystopian picaresque, part Huck Finn and part bizarro-world Swiss Family Robinson..."
---Kirkus
Long-listed for the Frank O'Connor International Short Story Award and finalist for the Crawford Award. Title short story listed for the 2000 O. Henry award.
Thu, October 21 2004 Âť Meta/Logistics
I know how that feels-imagine youâd stayed up all night blogging one blog, but you never saved it. Bummer.
I donât know if you meant for anyone to read your earlier, albeit less-polished post about speculative poetry and Jake Barry (Iâve got a syndicated feed from Livejournal), but I thought I might respond anyway.
I have no ostensible problems with whatever directions poetry may go in, but as I mentioned before with jazz, it can become so obscure as to become alienating. In a sense, Barryâs choice of language mimicks Eliotâs densely allusive âThe Wastelandsâ so any criticisms of that work of Eliotâs applies.
As for Ashbery, a talented poet, I find he works on such an edge of consciousness that he does not want anyone inside. Perhaps the feeling of feeling (of feeling?) is enough, but this stand-offish stance of keeping the reader at armâs length does not completely warm.
On the other hand, there can be too much lucidity that we see thereâs nothing there. I donât, however, think thatâs the main problem with speculative poetry. I think the main problem is having far more knowledge of speculation than of poetry.